Monday, December 13, 2010

A Lost Civilization in Persian Gulf



Lost Civilization May Have Existed Beneath the Persian Gulf



By Jeanna Bryner, LiveScience Managing Editor
posted: 09 December 2010 01:01 pm ET
This map reveals the Arabian Peninsula with regions that were exposed as sea levels fell, and so became environmental refuges, possibly for some of the earliest humans out of Africa. Credit: Current Anthropology.


Veiled beneath the Persian Gulf, a once-fertile landmass may have supported some of the earliest humans outside Africa some 75,000 to 100,000 years ago, a new review of research suggests.
At its peak, the floodplain now below the Gulf would have been about the size of Great Britain, and then shrank as water began to flood the area. Then, about 8,000 years ago, the land would have been swallowed up by the Indian Ocean, the review scientist said.
The study, which is detailed in the December issue of the journal Current Anthropology, has broad implications for aspects of human history. For instance, scientists have debated over when early modern humans exited Africa, with dates as early as 125,000 years ago and as recent as 60,000 years ago (the more recent date is the currently accepted paradigm), according to study researcher Jeffrey Rose, an archaeologist at the University of Birmingham in the U.K.
"I think Jeff's theory is bold and imaginative, and hopefully will shake things up," Robert Carter of Oxford Brookes University in the U.K. told LiveScience. "It would completely rewrite our understanding of the out-of-Africa migration. It is far from proven, but Jeff and others will be developing research programs to test the theory."
Viktor Cerny of the Archaeogenetics Laboratory, the Institute of Archaeology, in Prague, called Rose's finding an "excellent theory," in an e-mail to LiveScience, though he also points out the need for more research to confirm it.
The findings have sparked discussion among researchers, including Carter and Cerny, who were allowed to provide comments within the research paper, about who exactly the humans were who occupied the Gulf basin.
"Given the presence of Neanderthal communities in the upper reaches of the Tigris and Euphrates River, as well as in the eastern Mediterranean region, this may very well have been the contact zone between moderns and Neanderthals," Rose told LiveScience. In fact, recent evidence from the sequencing of the Neanderthal genome suggests interbreeding, meaning we are part caveman.
Watery refuge
The Gulf Oasis would have been a shallow inland basin exposed from about 75,000 years ago until 8,000 years ago, forming the southern tip of the Fertile Crescent, according to historical sea-level records.
And it would have been an ideal refuge from the harsh deserts surrounding it, with fresh water supplied by the Tigris, Euphrates, Karun and Wadi Baton Rivers, as well as by upwelling springs, Rose said. And during the last ice age when conditions were at their driest, this basin would've been at its largest.
In fact, in recent years, archaeologists have turned up evidence of a wave of human settlements along the shores of the Gulf dating to about 7,500 years ago.
"Where before there had been but a handful of scattered hunting camps, suddenly, over 60 new archaeological sites appear virtually overnight," Rose said. "These settlements boast well-built, permanent stone houses, long-distance trade networks, elaborately decorated pottery, domesticated animals, and even evidence for one of the oldest boats in the world."
Rather than quickly evolving settlements, Rose thinks precursor populations did exist but have remained hidden beneath the Gulf. [History's Most Overlooked Mysteries]
"Perhaps it is no coincidence that the founding of such remarkably well developed communities along the shoreline corresponds with the flooding of the Persian Gulf basin around 8,000 years ago," Rose said. "These new colonists may have come from the heart of the Gulf, displaced by rising water levels that plunged the once fertile landscape beneath the waters of the Indian Ocean."
Ironclad case?
The most definitive evidence of these human camps in the Gulf comes from a new archaeological site called Jebel Faya 1 within the Gulf basin that was discovered four years ago. There, Hans-Peter Uerpmann of the University of Tubingen in Germany found three different Paleolithic settlements occurring from about 125,000 to 25,000 years ago. That and other archaeological sites, Rose said, indicate "that early human groups were living around the Gulf basin throughout the Late Pleistocene."
To make an ironclad case for such human occupation during the Paleolithic, or early Stone Age, of the now-submerged landmass, Rose said scientists would need to find any evidence of stone tools scattered under the Gulf. "As for the Neolithic, it would be wonderful to find some evidence for human-built structures," dated to that time period in the Gulf, Rose said.
Carter said in order to make for a solid case, "we would need to find a submerged site, and excavate it underwater. This would likely only happen as the culmination of years of survey in carefully selected areas."
Cerny said a sealed-tight case could be made with "some fossils of the anatomically modern humans some 100,000 years old found in South Arabia."
And there's a hint of mythology here, too, Rose pointed out. "Nearly every civilization living in southern Mesopotamia has told some form of the flood myth. While the names might change, the content and structure are consistent from 2,500 B.C. to the Genesis account to the Qur'anic version," Rose said.
Perhaps evidence beneath the Gulf? "If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family Anatidae on our hands," said Rose, quoting Douglas Adams.

Wednesday, November 17, 2010

5new Intangible Heritage of Iran in UNESCO list

1. The music of the Bakhshis of Khorasan
In Khorasan Province, the Bakhshis are renowned for their musical skill with the dotār, a two-stringed, long-necked lute. They recount Islamic and Gnostic poems and epics containing mythological, historical or legendary themes. Their music, known as Maghami, consists of instrumental and/or vocal pieces, performed in Turkish, Kurdish, Turkmen and Persian. Navāyī is the most widespread magham: diverse, vocal, rhythmless, accompanied by Gnostic poems. Other examples include the Turkish maghams Tajnīs and Gerāyelī, the religious themes of Shākhatāyī, and Loy, an antique romantic magham, belonging to the Kormanj Kurds of Northern Khorasan. Bakhshis consider one string of the dotār to be male and the other female; the male string remains open, while the female is used to play the main melody. Bakhshi music is passed on through traditional master-pupil training, which is restricted to male family members or neighbours, or modern methods, in which a master trains a wide range of students of both genders from diverse backgrounds. The music transmits history, culture, ethical and religious fundamentals. Therefore, the social role of the Bakhshis exceeds that of mere narrator, and defines them as judges, mediators and healers, as well as guardians of the ethnic and regional cultural heritage of their community.

2. The Pahlevani and Zoorkhanei rituals
Pahlevani is an Iranian martial art that combines elements of Islam, Gnosticism and ancient Persian beliefs. It describes a ritual collection of gymnastic and callisthenic movements performed by ten to twenty men, each wielding instruments symbolizing ancient weapons. The ritual takes place in a Zoorkhane, a sacred domed structure with an octagonal sunken arena and audience seats. The Morshed (master) who leads the Pahlevani ritual performs epic and Gnostic poems and beats out time on a zarb goblet drum. The poems he recites transmit ethical and social teachings and constitute part of Zoorkhanei literature. Participants in the Pahlevani ritual may be drawn from any social strata or religious background, and each group has strong ties to its local community, working to assist those in need. During training, students are instructed in ethical and chivalrous values under the supervision of a Pīshkesvat (champion). Those who master the individual skills and arts, observe religious principles and pass ethical and moral stages of Gnosticism may acquire the prominent rank of Pahlevanī (hero), denoting rank and authority within the community. At present, there are 500 Zoorkhanes across Iran, each comprising practitioners, founders and a number of Pīshkesvats.

3. The ritual dramatic art of Ta‘zīye 
Ta‘zīye (or Ta’azyeh) is a ritual dramatic art that recounts religious events, historical and mythical stories and folk tales. Each performance has four elements: poetry, music, song and motion. Some performances have up to a hundred roles, divided into historical, religious, political, social, supernatural, real, imaginary and fantasy characters. Each Ta‘zīye drama is individual, having its own subject, costumes and music. Performances are rich with symbolism, conventions, codes and signs understood by Iranian spectators, and take place on a stage without lighting or decoration. Performers are always male, with female roles being played by men, and most are amateurs who gain their living through other means but perform for spiritual rewards. While Ta‘zīye has a prominent role in Iranian culture, literature and art, everyday proverbs are also drawn from its ritual plays. Its performances help promote and reinforce religious and spiritual values, altruism and friendship while preserving old traditions, national culture and Iranian mythology. Ta‘zīye also plays a significant role in preserving associated crafts, such as costume-making, calligraphy and instrument-making. Its flexibility has led it to become a common language for different communities, promoting communication, unity and creativity. Ta‘zīye is transmitted by example and word of mouth from tutor to pupil.

4. Traditional skills of carpet weaving in Fars 
Iranians enjoy a global reputation in carpet weaving, and the carpet weavers of Fars, located in the south-west of Iran, are among the most prominent. Wool for the carpets is shorn by local men in spring or autumn. The men then construct the carpet loom – a horizontal frame placed on the ground – while the women convert the wool into yarn on spinning wheels. The colours used are mainly natural: reds, blues, browns and whites produced from dyestuffs including madder, indigo, lettuce leaf, walnut skin, cherry stem and pomegranate skin. The women are responsible for the design, colour selection and weaving, and bring scenes of their nomadic lives to the carpet. They weave without any cartoon (design) – no weaver can weave two carpets of the same design. Coloured yarn is tied to the wool web to create the carpet. To finish, the sides are sewn, extra wool is burned away to make the designs vivid, and the carpet is given a final cleaning. All these skills are transferred orally and by example. Mothers train their daughters to use the materials, tools and skills, while fathers train their sons in shearing wool and making looms.

5. Traditional skills of carpet weaving in Kashan 
Long a centre for fine carpets, Kashan has almost one in three residents employed in carpet-making, with more than two-thirds of the carpet-makers being women. The carpet-weaving process starts with a design, elaborated from among a series of established styles, including motifs such as flowers, leaves, branches, animals and scenes taken from history. Woven on a loom known as a dar, the warp and woof are of cotton or silk. The pile is made by knotting wool or silk yarns to the warp with the distinctive Farsi knot, then held in place by a row of the woven woof, and beaten with a comb. The Farsi weaving style (also known as asymmetrical knotting) is applied with exemplary delicacy in Kashan, so that the back side of the carpet is finely and evenly knotted. The colours of Kashan carpets come from a variety of natural dyes including madder root, walnut skin, pomegranate skin and vine leaves. The traditional skills of Kashan carpet weaving are passed down to daughters through apprenticeship under instruction from their mothers and grandmothers. Apprenticeship is also the means by which men learn their skills of designing, dyeing, shearing, loom-building and tool-making.


Ouoted from: www.unesco.org 


Friday, October 01, 2010

Sama Dance (Sufi whirling)


Today was Demise of Maulana 737th anniversary. not only in this day but in many ritual events the Sufis practis Sama Dance or Sufi Whirling.
Sufi whirling is a physically active meditation which originated among Sufis, and which is still practiced by the Sufi Dervishes of the Mevlevi order. It is a customary dance performed within the Sema, or worship ceremony, through which dervishes (also called semazens) aim to reach the source of all perfection, or kemal. This is sought through abandoning one's nafs, egos or personal desires, by listening to the music, focusing on God, and spinning one's body in repetitive circles, which has been seen as a symbolic imitation of planets in the Solar System orbiting the sun. Wikipedia
the following photos are taken by Babak Borzuye, the Iranian Photographer who travelled four times to Konya, Turkey to record this festival.





and this photo reveals the a not very old histor of Sama Dance: 

Sunday, August 01, 2010

12

WOW! Today two other Iranian Sites have been registered as "World Heritage Site" by UNESCO.
Tabriz Historic Bazaar Complex & Sheikh Safi al-din Khānegāh and Shrine Ensemble in Ardabil both are located in North Western part of Iran. with them Iran has 12 Cultural Site in this list.





The following are the Iranian sites on the World Heritage List:
  1. Chogha Zanbil, Elamite Period (1250 BCE), Khuzestan Province, 1979
  2. Persepolis, Achaemenid Dynasty, Fars Province, 1979
  3. Naqsh-e Jahan Square, Safavid Dynasty, Isfahan Province, 1979
  4. Takht-e Soleiman, Sasanian Dynasty, West Azerbaijan Province, 2003
  5. Pasargadae, Achaemenid Dynasty, Fars Province, 2004
  6. The city of Bam and its Cultural Landscape, Parthian Dynasty, Kerman Province, 2004
  7. Soltanieh Dome, Ilkhanid Period, Zanjan Province, 2005
  8. Bistun Complex, Achaemenid and Sasanian Dynasty, Kermanshah Province, 2006
  9. Historical churches of St. Thaddeus and St. Stephanus, West Azerbaijan Province, and Dzordzor (Zorzor), East Azerbaijan Province, 2008
  10. Shushtar’s ancient water system, Sasanian Dynasty, Khuzestan Province, 2009
  11. Mausoleum of Sheikh Safi ad-Din Aradbili, Ilkhanid and Safavid Dynasty, Aradbil Province, 2010
  12. Tabriz Bazaar, Ilkhanid and Safavid Dynasty, East Azarbaijan Province, 2010

Tuesday, April 20, 2010

Armenia

just a few photos from memorable Armenia:


 The Old Hraparak, also known az Republic Square has been devised by Alexander Tamanian as the center of Yerevan in reconstruction

 City of Fountains!
They told me the number of Fountains is equal to the age of Yerevan!

 Sevan Lake which is one of the largest high-altitude lakes in the world

Descend !
Tsakhkadzor ski resort

Monday, April 12, 2010

Those Russian!

Noruz, the Iranian New Year Festival begins at Farvardin 1st (March 21st). it's a 4day holiday for officials and 13 days for the rest! and probably the best time for traveling.
This Noruz I had guided a Tour to Yerevan, Armenia's Capital.
There is long way from Iran's North Western border (Near Tabriz) to Yerevan with beautiful sceneries alongside of simple rural life. Below pictures are taken from a simply lively, warm and welcoming cafe in one of those U-turns of Armenia's mountains, managed by this hospitable lady. watch that old Russian heater.


Saturday, August 08, 2009

The world's first Animation

Shahr-i Sokhteh (Burnt City) located near Zabol-Zahedan road on the bank of the Helmand River, in Sistan o Baluchistan Province had been erected 3200 B.C.
Not only this city had used to have the best Water Supply plan, but is famous as pioneer in many world FIRSTs! Brain surgery, Glass eye, ruler, Backgammon and last but not least the first Animation of the world:
While excavation in a 5000 years old tomb, Archelogist have found a bowl around which a goat and a tree were repeated, but not a monotonous repeat, it reveals the goat's movement toward tree's leaf in 5step. Imagine how creative was its artist!
a digital re-drawing of the world first Animation